A Royal Woman

A gabbro bust of a woman in a long wig with a cobra on her brow, from Dynasty 12 of the Middle Kingdom, reign of Amenemhat II–Senwosret II. Full commentary ↓

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A Royal Woman is a work by an unknown maker (ca. 1919–1878 B.C.) in the collection of The Metropolitan Museum of Art. It measures H. 20.3 cm (8 in.).

A Royal Woman — Unknown artist

In the pictureThe upper body of a woman, carved in dark gray-black stone, stands on a gold-colored support rod. A long wig incised with fine, closely spaced vertical lines leaves the ears exposed and falls in front of both shoulders, ending bluntly over the chest, and a worn cobra rises at the center of the forehead. A crack runs from the left temple across the nose to the cheek, another runs horizontally below the chest, and everything below the waist and along the right edge of the image has broken away. It is 20.3cm high. The face is broad with prominent ears, and the breasts are rounded and full.

BackgroundThe cobra on the brow (the uraeus) was a mark worn only by kings and royalty, so even though her name has not survived, it tells us this woman was a queen or a princess. The museum's record dates the statue to Dynasty 12 of the Middle Kingdom, in the reigns of Amenemhat II to Senwosret II (about 1919–1878 B.C.). Gabbro is a very hard, dark igneous rock, and polishing it this smooth is not easy. It entered the collection in 1908 through the Rogers Fund. No inscribed name survives and the find spot is recorded only as "Egypt," so where the statue originally stood is unknown.

Puzzle tipThe crack across the face and the cobra on the brow are the best reference points. Assemble the face first, then sort the wig pieces into left and right by the direction of the vertical lines and where the ends turn blunt. Run the pale gray-violet background around the pieces that touch the outline of the bust, and use the gold rod pieces at the bottom to set the center line. The horizontal crack below the chest marks the height of the torso pieces, and the rounded outline at the top of the head stands out clearly against the background. 48 pieces is a good fit.

Source: The Metropolitan Museum of Art ↗

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