Embroidered sampler
An 1824 sampler embroidered with a house, trees, a cow, and a dog, with a verse praising virtue. Completed by thirteen-year-old Anne Fazackerley. Full commentary ↓
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Embroidered sampler is a textile by Anne Fazackerley (1824) in the collection of The Metropolitan Museum of Art. It measures 45.1 × 37.5 cm.
In the pictureA border of red flowering vines runs around pale linen, and inside it a four-line poem is embroidered. Below are a large tree, a red-roofed house, a cow and a dog, and a man and woman out for a walk, and at the very bottom the name and date "Anne Fazackerley 1824." The thread is silk and chenille, and the leaves of the tree are raised and plump.
BackgroundIn early 19th-century England, the sampler went beyond alphabet practice to become a small picture holding poems and landscapes. The poem is a moral verse beginning "Virtue is the chief beauty of the mind," showing that girls learned reading and morals along with needlework. Anne Fazackerley was born in 1811, so she was thirteen when she made this sampler. The arrangement of house and animals is not a real landscape but a standard sampler pattern of the time.
Puzzle tipThe puzzle divides into four zones: the outer red vine border, the band of lettering in the middle, the house and tree scene below, and the name line at the very bottom. Run the border pieces around first, and judge the lettering pieces top from bottom by the spacing between lines. The green pieces of the tree and the red pieces of the house have distinct shapes and are easy.
- Artist
- born 1811
- Classification
- Textiles
- Medium
- Embroidered silk and chenille on wool
- Dimensions
- 45.1 x 37.5 cm
- Credit line
- Gift of Barbara Schiff Sinauer, 1984
Source: The Metropolitan Museum of Art ↗
In these collections: Animals in Masterpieces
Stories about this work
- Why Embroidered Samplers Still Carry the Names of Girls from Centuries Ago
European embroidered samplers often carry the maker's name and the year she finished, stitched in together. The personal traces you meet as you assemble them as puzzles.
- Why Dogs and Horses Turn Up So Often in Old Master Paintings
Animals in old paintings were both decoration and symbol: the dog for loyalty, the horse for status and authority, the bird for freedom and the soul. Small supporting players you find while doing the puzzle.
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